I sit down at my desk and breathe a sigh of relief. It’s quiet here, in my office. Not like the noisy library where I worked yesterday.

But, no, that’s not true. I hear the roar of the surf in the distance. The trickle of the artificial stream in the garden overlays the sound of the ocean. When I step to the office door, a goat greets me with a maa. Starlings mutter in the treetops, magpies warble on the fenceposts, and a fantail chitters in the shed. A plover’s percussive call is underlain by the chirping of a thousand crickets.

The neighbour rumbles past in his tractor, carrying a bale of silage. I can hear his son in the paddock shouting and whistling at his five barking sheep dogs.

It is far from quiet.

And yet …

Somehow, the sounds here caress my thoughts, rather than intruding upon them like the horrible Muzak from the library cafe, or the screams of tired children, or the drone of the automatic returns machine—please place the item on the trolly.

The fantail flits in and out of the story I’m writing without knocking over my coffee. The goats and sheep graze beside me without barging across the keyboard. The crickets keep to the grass. The tractor rumbles along without leaving tire tracks on my manuscript. The ocean doesn’t even wet my toes.

But somehow, I’m certain these sounds end up in my stories, caught up in the weave of plot and characters. The fantail is there, in the flick of a character’s fingers. The ocean is the relentless sound of the plot line. The tractor is the rumble of disaster bearing down on my protagonist. The goats’ deep maa is the voice of wisdom, and the crickets’ chirping lightens the mood.