A Hobbit Adventure

As a writer of fantasy and adventure novels, it’s important to me to get out and have my own adventures. My adventures provide the inspiration and the gritty details for my characters’ escapades. I especially enjoy true wilderness adventures—the less sign of human impact, the better.

view from Mt Isobel
The view from atop snowy Mount Isobel

Of course, not every adventure can be a wilderness experience. Sometimes you want some fun with a little more luxury.

My husband and I recently spent a lovely weekend in Hanmer Springs. While the town is known for its hot pools, we’re not the hot pool type. What we appreciate about Hanmer Springs is the ability to step out the front door of your holiday home, climb a mountain, and end the hike at the pub a few blocks from the holiday home.

It’s hardly a wilderness experience, especially given that Hanmer Springs is surrounded by pine plantations, rather than native bush, but on a winter weekend during the rainiest month on record, it’s just right.

Our main hike for the weekend was up Mount Isobel. This wasn’t our first winter trip to the peak, but it was the first time we’d followed the ridge from the peak in order to descend via Jollies Pass. The last time we were on Mount Isobel, the wind was so fierce, there was only enough time to race to the top, snap a photo or two, and race back down before we froze. This time was entirely different.

It snowed the previous day, so we hiked through a winter wonderland. Light wind and full sun made it a stunning hike. The snow was an easily hikeable fifteen centimetres deep on the ridge—just enough to ensure our feet and lower legs were thoroughly soaked by the end.

There was nowhere dry to stop for lunch, so we ate in short snatches standing up. That was really the only downside to what was a delightful seven-hour hike.

And when your hike ends in Hanmer village, with beer and good food on offer, and a roaring fire at the holiday home to warm your toes, it’s hard to complain about anything. I think of it as a Hobbit adventure—a bit of fun without skipping second breakfast.

Matariki Hike–Tiromoana Bush Walkway

Nature pulled out all the stops last weekend for Matariki. All three days of the long weekend were stunners, with temperatures more like mid-autumn than mid-winter.

On Saturday I worked in the garden in a t-shirt, and we had all the doors and windows open for most of the day. On Sunday, with both kids home for the holiday, we headed out for a hike.

Avoiding the snowy mountains and crowded ski fields, we headed to an unlikely spot—the Kate Valley Landfill.

Well, okay, not the landfill itself, but the restoration area next to it on Transwaste land.

Tiromoana Bush Walkway wends through a patchwork of restoration planting, old paddocks, plantation forestry and regenerating bush. An active predator trapping programme has clearly done its job, and the air teems with bellbirds and pīwakawaka.

Access to the beach cuts through a steep valley between limestone cliffs busy with welcome swallows. The beach is narrow and overshadowed by actively crumbling cliffs of limestone and clay—definitely not a place you want to be during a storm, but quite fascinating on the blue-sky day we enjoyed.

The hike was only about three hours long, leaving plenty of time to enjoy the beach, even on a short mid-winter day.

We had relatively low expectations of the hike when we started out, but it ended up being quite a pleasant mid-winter outing. Not very strenuous, but with enough ups and downs to be interesting, and with some intriguing landforms along the coast.

Celebrating Matariki–making new traditions

This year is the first year Matariki is an official holiday here in Aotearoa New Zealand. It’s about time. 

Matariki is the Māori New Year celebration. The holiday is named after the Matariki star cluster (also known as the Pleiades), which disappears from our night sky for a time, and reappears in late June, around the winter solstice. 

Matariki is a time to celebrate autumn’s harvest, remember friends and family who have died the previous year, and plan for the new year.

This year, my husband and I will celebrate the harvest with pizza topped with vegetables from the garden, and pie filled with fruit from our berry bushes.

I will remember my grandmother, who passed away in May, just a few days shy of her 97th birthday. Rugs braided by her hands will warm my feet during the chilly days of Matariki.

I will plan for the new year by assessing my seed stock and drawing the 2022-2023 garden map. Although I won’t plan my planting around how the stars of Matariki look when they first appear in the sky, as Māori used to (just as I never planned by Punxsutawney Phil and his Groundhog Day predictions), but I am pleased to note the sky has been crystal clear for the past few days—clear, bright Matariki stars signify an early planting season. Just as a shadowless groundhog used to make me hope for an early spring, bright Matariki stars do the same.

Celebrating Matariki feels natural and right here in Aotearoa. When the children were young, we always celebrated the winter solstice. I made special solstice cakes, decorated to celebrate darkness or welcome the soon-to-be-lengthening days. We’d give the kids little gifts—a flashlight, or some winter-appropriate craft supplies. We made candle holders and dipped beeswax candles. We had a special dinner in the light of the candles we’d made. It wasn’t a huge celebration—just something to mark the season and look forward to during the short, dark winter days.

As the kids grew older, they weren’t interested in candle making or other crafts. We still enjoyed candlelight dinners on the solstice, but most of the other parts of our celebration fell away. Now that Matariki is an official holiday, I expect some of our solstice celebration will make its way into our Matariki celebrations.

Like us, many New Zealanders will be creating new traditions this year, mapping out what Matariki looks like today, mixing traditional Māori celebrations with the myriad cultures that make up modern day New Zealand. I hope as we all move forward with our celebrations, we can resist the commercialisation that has plagued other holidays and remain focused on the deeper meanings behind Matariki and its intimate connection to the land.

Aftermath: Stories of Survival in Aotearoa New Zealand

Aftermath: Tales of Survival in Aotearoa New Zealand is SpecFicNZ’s new anthology.

The anthology explores Aotearoa in a post-apocalyptic world. Disasters have occurred around the country and the world. New Zealand, in our isolation down under, may have escaped most of what happened around the world, but it was pretty bad out there. As Kiwis are apt to do, though, we’re “getting over it”. You know, she’ll be right …

This is not just an anthology of disaster stories. The pages are filled with hope in the form of short stories, poems, flash fiction and artwork about what comes afterwards. The contributions are exclusively from SpecFicNZ members and reflect the diversity and breadth of this country we love to call home … even if the edges are a bit torn and tattered.

I have had the pleasure of working on this anthology for the better part of the past year as a co-editor with Gary Nelson and Jill Winfield, and I can heartily recommend it.

Pick up your own copy today!

Autumnal Buzz

As an entomologist, I love early autumn. Insect numbers are at their peak, and most insects are adults—their most active and visible life stage.

As a kid growing up in rural Pennsylvania, early autumn nights were nearly deafening with the cacophony of cricket and katydid chirps. Days buzzed with the sounds of cicadas and grasshoppers.

New Zealand is quieter, but autumn still has its distinct voices. Our katydids’ sharp ‘zit zit’ seems to echo from their favourite ake ake trees. Crickets twitter in the grass on sunny days. Cicadas and grasshoppers buzz from trees and bushes.

Bees and butterflies are particularly active on autumnal blooms. Many of our showy butterflies overwinter as adults, so they can be seen flitting about on warm days into late autumn.

Of course the clouds of invasive cabbage white butterflies on the brassicas and the German wasps swarming the compost pile aren’t terribly welcome. But still, I enjoy the leggy hum and flutter of the season.

Late Summer Garden

March first is considered the start of autumn here in New Zealand. As far as the garden is concerned, it’s still late summer. It’s been a cool, wet February, which has delayed crops like tomatoes, peppers, and eggplants. The extra moisture has meant bigger watermelons, though they’re ripening slowly. Sweet corn is coming on, and we’ve had some lovely meals of it, along with the first of the melons. I’ve harvested the potatoes, dry beans, and most of the soy. The pumpkins are looking gorgeous, and I’m sure we’ll have more than we can eat this winter. 

Overall, I’ve been pleasantly surprised with the garden this year. Plants are showing nutrient deficiency, for sure, but they’ve done remarkably well, considering where I started two years ago. It’s clear my applications of manure and compost are having a positive effect. And it’s just as clear it will take quite a few years to build this soil up to full productivity. 

I thought I’d treat you to a selection of images from around the garden on a beautiful crisp early autumn day. It may not be as productive as I’d like, but it’s still glorious.

Sir Julius Vogel Award Nominations

New Zealand’s annual Sir Julius Vogel awards recognise excellence in science fiction, fantasy and horror works created by New Zealanders and New Zealand residents.

Fatecarver cover

The awards are named after a journalist and politician who was not only the Premier of New Zealand in the 1870’s, but also wrote what is regarded as New Zealand’s first Science Fiction novel—Anno Domini 2000—A Woman’s Destiny) which envisioned a New Zealand of the year 2000 largely run by women (which was quite prescient, given that in 2000 New Zealand’s Head of State, Prime Minister, Governor General, Attorney General and Chief Justice were all women).

The awards are presented annually by the Science Fiction and Fantasy Association of New Zealand in a range of categories. 

To be honest, I haven’t paid much attention to the SJV awards in the past, in spite of their importance to the NZ speculative fiction community. But I was recently notified that my novel Fatecarver has been nominated for Best Youth Novel. 

Of course, I’m chuffed about that. But I know that in order to get onto the shortlist, Fatecarver will have to be nominated more than once, because the number of nominations determines which works move on to the voting round.

Hence this post. Anyone around the world can nominate an eligible work, and it doesn’t cost anything to do so. Now that at least one person has nominated Fatecarver, I’d love to see this book make it to the short list.

And while I’m at it, my short story, Deathventures Inc, which was published in the anthology Alternative Deathiness is also eligible for a SJV award for Best Short Story.

So if you have a moment, I’d really appreciate a nomination or two. Nominations are open until the end of March. The nomination form is here, and information and guidelines for the award are here

Thanks!

Feathered Friend

The vast majority of the birds in our yard are non-native invasive pests—English sparrows, European starlings, blackbirds, goldfinches and song thrushes wreak havoc in the garden. They eat fruits and vegetables, dig up seedlings, spread mulch all over the lawn, and strip young plants of leaves. If I could net the entire yard to keep them all out I would.

But some of the avian visitors to our place are welcome. The fantails that flit in and out of the house snapping up flies are a delight. The silvereyes picking aphids off the trees are both adorable and helpful. And the magpies may be noisy and aggressive, but they are quite entertaining as they dive bomb the cat or squabble with each other.

The tall trees across the road from our place are home to a host of white-faced herons. They croak and grumble among the branches like modern pterodactyls, and I love to watch them winging home in the evenings, landing awkwardly before settling down for the night. 

They rarely give our yard a second glance, but for the past week, a young heron has taken a liking to our porch and front garden. 

There’s something wrong with him. I say that not because of his interest in our porch—it is a nice place to hang out—but because his legs are oddly splayed and he wobbles when he walks. Still, he seems to be holding his own, and he has no trouble flying out of range of the cat when he comes stalking. It’s possible his flight is impaired as well, and that’s why he’s foraging close to home in our garden. Or maybe he’s discovered our soil has lots of worms to offer. Either way, I wouldn’t mind if this bird stuck around.

From Haast to Haast Pass

My husband and I spent the past four days on the West Coast. I was helping him with some field work involving a lot of bush bashing on steep slopes.

The trip also involved a lot of driving–all the way from Greymouth to Haast, and then over to Wanaka before heading north again. It being the West Coast, the road crossed many creeks, each one named by a small road sign. After a particularly waterway-rich stretch of highway, where  we crossed a creek every 50 metres or so, we began to note ALL the creek names. At some point I began writing them down—they were strangely poetic.

I’ve taken a section—State Highway 6 between Haast and Haast Pass—and have written a poem that uses each creek name, in order starting in Haast, and evokes South Westland. The creek names are the only words capitalised.

you swish through the Grassy paddock
to take a Snapshot,
then fossick for Greenstone
on the beach amidst the strewn blossoms
of southern rata, that seasonal Myrtle
Harris says brings out the colour of
your eyes when he tucks a bloom behind your ear.

ankle deep in the Glitterburn
on a tuesday that sparkles with gold
you fire a text to Roy and Joe,
knowing they are stuck in Dismal london,
while you grow Dizzy trying to track
the flitting movement of a tomtit
in the undergrowth, its Gun Boat grey
blending into the shadows, white breast
winking like a Cron command,
Dancing to its own irregular beat.

and deep in the forest, the Roaring Swine
fill the Gap in the silence and find
the Chink between birdsongs.

your Cache of wonder sits at the Depot,
its Square Top a fitting seat
for Orman,
the Imp with Mossy eyes.
his Eighteen Mile hike on Gout swollen feet
has not dampened his spirits.
he recites MacPherson’s translations,
mixing the ancient gaelic with
lines you’re certain came from Douglas adams.

the Serpentine path you wander tumbles
over boulders soft with moss like grandma Evans’ arms
when she would pull you into those hugs you
hated as a teen, when you and your cousin Chelsea
walked the tired streets of town—
three blocks, then Pivot to retrace
the entirety of main street—hoping
for some excitement.

now it is Solitude you crave.
as Douglas said—space is Big—
surely there is enough of it that you
can carve out your own piece of it
here, among the ancient footprints
of Moa, tangled in a Briar,
imagining Haast eagles soaring overhead.

Diana would have been your goddess,
in this wilderness of rain where The Trickle
of water is more like a roar and
liquid is a Cutter of stone.

you would stay here for decades
like Robinson crusoe, study the
ants at your feet as though you
were e. o. Wilson.

instead you Cross the river
and stand dripping and shiny
as a nugget of gold on the other side.

Guerrilla Art

We spent a night in Wanaka last week before our tramping trip. While wandering around town looking for a likely spot for dinner, we came across some poems stuck onto a bridge railing. 

Like a Banksy painting, the poems were certainly not ‘legal’ and were no doubt frowned upon by the local authorities. But also Banksy-like, they made passersby smile and think.

Years ago, when my husband and I lived in State College, Pennsylvania, we regularly took our walks in the agricultural fields near the edge of town. Along the path, shortly after leaving the neighbourhood, someone had installed a tiny section of sidewalk. Embedded in the concrete was the poem ‘Where the Sidewalk Ends’ by Shel Silverstein. There was no indication of who had installed the poem, and it was tucked away beside the field as though it had been surreptitiously installed in the dead of night. 

There are municipally sanctioned examples of Guerrilla art—art that appears in unlikely places. The poetry among the rocks along Wellington’s waterfront is one example. But there’s something particularly delightful about the non-sanctioned art—the amazing sand sculptures people create on the beach, the sidewalk chalk drawings that proliferated during lockdown, the splash of graffiti on train cars. It’s an expression of life and spirit, a proclamation of something uniquely human, a statement about human lives.

I think we all could use a little more guerrilla art in our lives. Thanks to the Brownston Street Bard for your lovely contribution. May the ink continue to flow from your pen.