Edits and notes … tackling one at a time
I’ve neglected my blog lately. Between springtime and the end of the school year, I’ve felt like my time at the computer has been limited, and I’ve felt the need to focus on editing.
I know, most people would take any excuse to avoid editing, and I admit it can be daunting to wade through a 70,000-word first draft of a story, knowing it needs lots of work.
It’s a bit like tackling the garden in springtime. If I look at the entire garden—all 300 square metres of it (about 3200 square feet)—when it’s waist-high with weeds in September, I freak out. It’s too much to do. I think I can’t possibly clear all that area, turn all that soil, haul compost to it, and then plant it. It’s more than one person can do.
But I do it every year.
I divide the garden into 26 beds, and I make myself a weekly plan from September through November. Each week, I have certain tasks, certain beds to prepare, and I don’t let myself look at or think about everything else that needs to be done. Each piece seems doable, and since I think I can do it, I dive right in without freaking out. Bed by bed, the entire garden is cleared, turned, composted and planted. When I arrive at late November, I can look at a beautifully prepared and planted garden and think, “Wow! I did that!”
It’s the same with editing. A first draft of a novel is a horribly weedy garden—there are inconsistencies, plot holes, leaps of time that make no sense (sometimes unintended time travel, too), typos, spelling errors, grammatical errors, scenes that don’t advance the plot, scenes in the wrong places … the list of problems with a first draft could scare anyone away from editing.
So I break it into chunks, just like the garden.
I read through my novel over and over, and each time I focus on one or two problems. I start with the big ones—continuity, inconsistency, plot holes, pacing. Then I move on to smaller problems—characterisation, dialogue, action within each scene. Then I move on to even smaller problems—grammar, spelling, and regional language issues. With each reading, I focus on a subset of things, ignoring everything else.
And suddenly, editing isn’t overwhelming. It’s manageable and even enjoyable, because I can see the improvement at each step of the way, without fretting about all the work still to come.
Hence the neglected blog—when I’m having fun editing, sometimes I forget to stop and do other things.